News and Events
Spring 2014 Upcoming Events
Thursday, February 27, 4–5:30pm
BRUCE HOLSINGER (Professor of English, University Of Virginia)
SEMINAR: "Writing Medieval London: History, Fiction, Historical Fiction"
Cathedral of Learning, Room 139 (Scottish Nationality Room)
The MRST Program will provide complimentary copies of Professor Holsinger's debut historical thriller A Burnable Book to a limited number of seminar attendees. Please reserve your copy early by e-mailing interim director Professor Emily Zazulia at firstname.lastname@example.org.
Tuesday, March 18, 5–6:30pm
SUSAN BOYNTON (Professor of Music, Columbia University)
LECTURE: "Sound and Image in the Middle Ages: Reflections on a Conjunction"
Cathedral of Learning, Room 512
Abstract: Although sound and image are characterized by markedly different temporal and material expressions, the experience and the idea of music are crucial to the received meanings of many works of medieval art. Links between art and music, rather than directly representational, are often indirect and elusive, as in the case of the capitals of the modes from the abbey of Cluny. Through several case studies, I will discuss the dynamic relationship between sound and image, the construction of musical images, and some ritual uses of music and image that shape the historical interpretation of visual culture.
Thursday, April 3, 4–5:30pm
BRIAN CURRAN (Professor of Art History, Penn State University)
LECTURE: "Of Gods and Monsters: An Egyptian Bestiary in Early Modern Rome"
Frick Fine Arts, Room 202
Abstract: In this talk, I explore the curious afterlife of the many Egyptian animal statues—lions, sphinxes, baboons, crocodiles, Apis bulls, and others—who once inhabited the gardens, palaces, and public spaces of Medieval and Early Modern Rome. Focusing on the "careers" of these works as they moved from place to place, and to new settings over the course of many centuries, I describe their rise, in some cases, to international fame as emblematic, "celebrity" statues in the antiquarian and intellectual, as well popular, tourist culture of the period from around 1300–1800. In addition to their inherent interest as tales largely untold, it is also hoped that these "cultural biographies" may cast a light on the social life of things in general, and art objects in particular.